![]() ![]() The VdR-Work in Progress Award, worth CHF 3,000 (€2,940), went to France's Armel Hostiou for The Other Profile, while the Lightdox Award, worth the same amount, went to Spanish filmmaker Lina for 5 Seasons of Revolution (Syria/Germany/Norway/Netherlands/Qatar). ![]() The project also received the Raggioverde Subtitling Award. In the Work in Progress section, VdR-Industry's biggest prize, the Visions Sud Est Award, worth CHF 10,000 (€9,800), intended for the best project from Africa, Latin America, Asia or Eastern Europe (excluding EU members), was bestowed upon Canela Reyes and Sebastian Pinzón Silva for La Bonga (Colombia/USA). ![]() ![]() US director Casey Carter received the DOK Leipzig Award (two accreditations and accommodation for the director and producer at the DOK Leipzig Festival, and observer access to the DOK Co-Pro Market) for To Use a Mountain, while two market badges for the EFM and a consultation session went to Valerio Jalongo for Wider Than the Sky (Switzerland/Italy).įinally, the DAE Encouragement Award, consisting of two memberships for, and four consultations within, the Documentary Association of Europe network, was handed to Brazil's Tali Yankelevich for Girl-Tubers. The Unifrance Doc Award (comprising the making of subtitles and a Unifrance membership) went to Diane Sara Bouzgarrou and Thomas Jenkoe's A Dog's Life (France), while the Cannes Docs Award, consisting of two accreditations for the Marché du Film, was handed to South African director Teboho Adkins for Karatara - "Place of Deep Shadows". The RTS Award, consisting of a pre-buy, was split between Jérôme le Maire's NOOR (Belgium/France) and Margit Lillak's Becoming Roosi (Estonia). In the VdR Pitching section, which featured a jury comprising Israeli filmmaker Avi Mograbi, Berlinale head Carlo Chatrian and French-Chinese producer Isabelle Glachant, the main prize, worth CHF 5,000 (€4,900), went to Lionel Baier's Anatomy of the Night (Switzerland/France).Īrgentinian director María Silvia Esteve received the €5,000 Party Film Sales Award and the TËNK Post-production Award for MAILIN, while her compatriot Manuel Abramovich pocketed the HEAD–Genève Post-production Award for The Monsters, a co-production with Germany. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |